Yeo Chee Kiong and Isabella Teng’s Art Exhibition Ask Questions That Do Not Need Definite Answers


The spiral motif surrounding the sculpture and portray references how the artists journey via time and query the totally different durations. This curation makes an attempt by Olal’Artwork to seek out solutions and that means in life and creation via totally different topics.

These days, questions are seldom actually requested with intention. Increasingly more of the youthful generations are being introduced up pondering that each query has a prepared reply, when the essence of asking questions is about being open to not only one, however a number of potentialities.

There isn’t any true sense of finality in artwork, as there is no such thing as a proper or unsuitable in private expression, and that’s what esteemed sculptor Yeo Chee Kiong and younger Singaporean artist Isabella Teng discover of their new exhibition, Query.

Presenting items that ponder the dualities of heaven and earth, spirit and physique, nature and science, and nicely as aesthetics and philosophy, the artists problem and subvert our pure methods of trying on the world, inviting us to assume past our consolation zones via a masterful finessing of their artwork kinds.

The primary of this creative pairing, alumnus of the Glasgow College of Artwork and the Nanyang Academy of Tremendous Arts, Yeo Chee Kiong, makes use of playful and surprising juxtapositions to make sculptures and installations that research the language of and spatial relationship between object, house and authorship. He destabilises the acquainted notions of spatial proportions and views to look at the complicated human circumstances that assemble the surreal world.

In Query, he presents a collection of gorgeous contradictions. Every work a passionate inquiry of why nature is the best way it’s — revealing his unmistakable love for good imperfections. Attribute metal bubbles as seen in Pedicure (2013) and The wind and wings (2010) discover the human being’s primal want for the reality throughout the absurd world of delusion, whereas Silent Rain, which manifests as inexperienced and white clouds raining strings of wool, and lucid great thing about instability and adventuring on a street much less travelled.

The opposite half of Query is helmed by Isabella Teng, whose imaginative worlds transport viewers into magical realms drawn up by her deft hand. She is obsessive about clear, easy but highly effective line and creates two-dimensional drawings, work, drawings in house, three-dimensional anamorphic installations, conceptual installations — works grounded within the exploration of the road. Whereas her definition of “line” has branched out from drawing into textual content, writing, and house, the love affair stays the identical: an engagement with the unanswerable thriller of the road.

Suggestive and fascinating, her assortment of works tracks her progress as an individual via time in a heartfelt and considerate method. Of the 2 new works made for this occasion, Into The Valley (2022) revisits a time of isolation and excessive introspection from 2015 to 2016, after feeling misplaced and distressed; if you happen to can’t go up the mountain, why don’t you go down into the valley? That was how this enigmatic piece got here to be. To Be Free (2022), the opposite new work, ponders a extra carefree time by illustrating a tree that has roots rising upwards, and the bottom is peppered with foliage.

Different works just like the cute “The place Did The Gravity Go?” Sequence (2009-2013), A Resting Place (a set of 4 works), and Map (2014), a formative piece that exhibits the affect of Yayoi Kusama in her work and the duvet work of this exhibition, all present depth and emotional readability as she traverses totally different emotional planes and phases in her life, bringing viewers into her evolving world.

If something, this present proves that there are all the time solutions to be discovered, as an alternative of a singular reply or fact that every one people yearn to succeed in of their lifetime. In any case, the shortest distance between two factors is just not all the time a straight line.

The chairs within the exhibition encourage deep conversations concerning the questions that we’d have after viewing the totally different artworks.

This exhibition is ready up by Olal’Artwork, an artwork consulting firm that manages artwork tasks, curates exhibitions, and organises artwork occasions. They primarily concentrate on Chinese language and French artists who do summary artwork, artwork brut, and pop artwork. Olal’Artwork additionally offers session to anybody, households or non-public companies, for appropriate artwork items to brighten their houses, places of work, or occasion areas.

Moreover, Olal’Artwork supplies workshops and guided excursions to attach with the general public concerning the artwork world and unfold consciousness of the artists’ ideas via their artworks. At all times exploring new partnerships and collaborations, Olal’Artwork welcomes all who want to pursue extra creative and cultural tasks to get in contact with them.

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